cross the astvatsatsin church noravank complex amaghu valley vayots dzor province armenia

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Noravank Monastery Complex on the Gorge of Amaghu Valley, Vayots Dzor Province, Armenia Royalty Free Stock Photo
Noravank Monastery on the Gorge of Amaghu Valley, Vayots Dzor Province, Armenia Royalty Free Stock Photo
Church of Holy Mother of God or Surb Astvatsatsin in Noravank Monastery Complex among the Fall Foliage of Vayots Dzor Province Royalty Free Stock Photo
Noravank Monastery, Vayots Dzor Province, Armenia Royalty Free Stock Photo
Noravank complex in Amaghu Valley, Vayots Dzor Province, Armenia Royalty Free Stock Photo
Dome of the Astvatsatsin church of Noravank complex in Amaghu Valley, Vayots Dzor Province, Armenia Royalty Free Stock Photo
Surb Karapet Church of Noravank complex in Amaghu Valley, Vayots Dzor Province, Armenia Royalty Free Stock Photo
Cross of the Astvatsatsin church of Noravank complex in Amaghu Valley, Vayots Dzor Province, Armenia
Noravank complex in Amaghu Valley, Vayots Dzor Province, Armenia Royalty Free Stock Photo
The Hairpin-curved Mountain Road to Noravank Monastery Complex, Amaghu Valley, Armenia Royalty Free Stock Photo
Noravank complex in Amaghu Valley, Vayots Dzor Province, Armenia Royalty Free Stock Photo
Noravank complex in Amaghu Valley, Vayots Dzor Province, Armenia Royalty Free Stock Photo
Noravank complex in Amaghu Valley, Vayots Dzor Province, Armenia Royalty Free Stock Photo
Noravank complex in Amaghu Valley, Vayots Dzor Province, Armenia Royalty Free Stock Photo
Cross of the Astvatsatsin church of Noravank complex in Amaghu Valley, Vayots Dzor Province, Armenia Royalty Free Stock Photo
The western portal is decorated with special splendour. An important role in its decoration is played by the cantilevered stairs that lead to the upper level, with profiled butts to the steps. The doorways are framed with broad rectangular plaitbands, with ledges in the upper part, with columns, fillets and strips of various, mostly geometrical, fine and intricate patterns. Between the outer plathand and the arched framing of the openings there are representations of doves and sirens with women`s crowned heads. Such reliefs were widely used in fourteenth-century Armenian art and in earlier times in architecture, miniatures and works of applied art, on various vessels and bowls.


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