the casina delle civette rome italy

navigate by keyword : 1938 additions architecture art artwork cabin casina century civette culture death decorated decorative delle design edge europe example exceptional giovanni glass his house italian italy landmark liberty monument museum nineteenth owls positioned prince residence result roman rome room series style swiss today torlania torlonia transformations twilight view villa was which younger

The Casina delle Civette in Rome, Italy Royalty Free Stock Photo
The Casina delle Civette in Rome, Italy Royalty Free Stock Photo
The Casina delle Civette in Rome, Italy Royalty Free Stock Photo
The Casina delle Civette in Rome, Italy Royalty Free Stock Photo
The Casina delle Civette in Rome, Italy Royalty Free Stock Photo
The Casina delle Civette in Rome, Italy Royalty Free Stock Photo
The Casina delle Civette in Rome, Italy Royalty Free Stock Photo
The Casina delle Civette in Rome, Italy
The Casina delle Civette in Rome, Italy Royalty Free Stock Photo
The Casina delle Civette in Rome, Italy Royalty Free Stock Photo
The Casina delle Civette in Rome, Italy Royalty Free Stock Photo
The Casina delle Civette in Rome, Italy Royalty Free Stock Photo
The Casina delle Civette in Rome, Italy Royalty Free Stock Photo
The Casina delle Civette today Museum of Villa Torlonia in Rome, Italy Royalty Free Stock Photo
The Casina delle Civette today Museum of Villa Torlonia in Rome, Italy Royalty Free Stock Photo
The house of the owls exceptional example of Roman Liberty style today Museum of Villa Torlonia, Rome, Italy. The Casina delle Civette House of the Owls, which was the residence of Prince Giovanni Torlania the younger until his death in 1938, is the result of a series of transformations and additions to the nineteenth century “Swiss Cabin”, which, positioned at the edge of the park and hidden by an artificial hillock, was originally intended as a refuge from the formality of the main residence. Today the complex consists of two buildings, the principle house and the annex, connected by a small wooden gallery and an underground passage. From 1916 the building began to be known as the “House of the Owls”, perhaps because of the stained glass depicting two stylized owls among ivy shoots, created by Duilio Cambellotti in 1914, or because the motif of the owl is used almost obsessively in the decorations and furnishings of the House, at the wish of Prince Giovanni, a mysterious man who loved esoteric symbols.


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