tondos

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La sala Paolina Royalty Free Stock Photo
Sala Paolina.We are in the Paolina Room, which is Paul III's room, the Counter-reformation pope. Royalty Free Stock Photo
Quispe Sisa and Francisco Pizarro busts Royalty Free Stock Photo
Palace of Marques de la Conquista Coat of arms Royalty Free Stock Photo
Francisca Pizarro Huaylas Yupanqui, .daughter of Francisco Pizarro and Hernando Pizarro Royalty Free Stock Photo
Francisca Pizarro Huaylas Yupanqui, daugher of Francisco Pizarro and first peruvian mestizo Royalty Free Stock Photo
Francisca Pizarro Huaylas Yupanqui, daugher of Francisco Pizarro and first peruvian mestizo Royalty Free Stock Photo
Columns of st peters square
Francisco Pizarro coat of arms. Detail of Inca people chained by neck Royalty Free Stock Photo
House-Palace of Marquis of Conquest or Marques de la Conquista, Trujillo, Spain Royalty Free Stock Photo
Francisca Pizarro Huaylas Yupanqui, daugher of Francisco Pizarro and first peruvian mestizo Royalty Free Stock Photo
House-Palace of Marquis of Conquest or Marques de la Conquista, Trujillo, Spain Royalty Free Stock Photo
House-Palace of Marquis of Conquest or Marques de la Conquista, Trujillo, Spain Royalty Free Stock Photo
Quispe Sisa bust also known as Ines Huaylas Yupanqui, wife of Francisco Pizarro the Conquistador Royalty Free Stock Photo
Francisco Pizarro coat of arms. Detail of Inca people chained by neck Royalty Free Stock Photo
Part of the circle of columns around st peters square The colossal Tuscan colonnades, four columns deep,[3] frame the trapezoidal entrance to the basilica and the massive elliptical area[4] which precedes it. The ovato tondo's long axis, parallel to the basilica's façade, creates a pause in the sequence of forward movements that is characteristic of a Baroque monumental approach. The colonnades define the piazza. The elliptical center of the piazza, which contrasts with the trapezoidal entrance, encloses the visitor with "the maternal arms of Mother Church" in Bernini's expression. On the south side, the colonnades define and formalize the space, with the Barberini Gardens still rising to a skyline of umbrella pines. On the north side, the colonnade masks an assortment of Vatican structures; the upper stories of the Vatican Palace rise above.


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