geer

navigate by keyword : active amsterdam art artists belonged bible building commissioned considered contemporaries couple creative directly dutch engaged england english europe european examples expect faces families family gallery geer greatest history holland hung illustrations imply important inferior jacob large london margaretha masterpiece may national portraits poses probably reflecting regarded rembrandt residence richest scenes seems self side sitter sitting sons status trip triumphs turned unusual viewer visual wife

Baron Louis Gerhard De Geer Royalty Free Stock Photo
Geer polder nature reserve near the village of Nieuwveen Royalty Free Stock Photo
Geer and fresh of betel leaves hare Royalty Free Stock Photo
The creek Geer through the woods at the Wallon countryside around Bassenge Royalty Free Stock Photo
Grazing cattle at the Walloon countryside at the banks of the creek Geer around Bassenge Royalty Free Stock Photo
Concert and Congress Hall Louis de Geer in Norrkoping Royalty Free Stock Photo
Louis de Geer Consert and Congress Hall in Norrkoping, Sweden Royalty Free Stock Photo
Portraits of Jacob Trip and his Wife Margaretha de Geer by Rembrandt at the National Gallery in London UK
Clouds are beautifully lit by the setting sun that slowly disappears behind the shrubbery in Geer Polder near Zoetermeer, Netherla Royalty Free Stock Photo
The De Geer gymnasium in Norrkoping Royalty Free Stock Photo
Concert and Congress Hall Louis de Geer in Norrkoping, Sweden Royalty Free Stock Photo
The De Geer gymnasium in Norrkoping Royalty Free Stock Photo
Louis De Geer Hall in Norrkoping, Sweden Royalty Free Stock Photo
Louis De Geer Hall in Norrkoping, Sweden Royalty Free Stock Photo
Louis De Geer Concert and Congress Hall Royalty Free Stock Photo
Portraits of Jacob Trip and his Wife Margaretha de Geer by Rembrandt at the National Gallery in London UK . These portraits are particularly large examples, reflecting the status of the couple, Jacob Trip and Margaretha de Geer – who belonged to one of the richest families in Holland. They were probably commissioned by two of the Trips‘ sons, to be hung in a palatial residence which they were building in Amsterdam. The poses are unusual. Normally we’d expect each sitter to be half turned towards the other. But Margaretha faces the viewer directly. She may be sitting on her husband’s inferior side, but Rembrandt seems to imply that she is the more active and engaged of the two.


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