cornelis

navigate by keyword : additions amazing anthony approach art artist artistic baroque became brush brushes brushwork bust certainly close collar collectors commission conservative cornelis court covers day der dyck england extended extremely face flemish format frame framed gallery geest hand his important italy large later leading length london man most national netherlands not now old one painter painting part portrait prominent relatively ruff showed sitter sitters southern success taken traditional using van virtuosic white

Christ at the cross, painting, by Cornelis Engebrechtsz Royalty Free Stock Photo
Triptych with the Lamentation of Christ, painting, by Cornelis Engebrechtsz Royalty Free Stock Photo
Adam and Eve, the fall of mankind, 1592 painting by Cornelis van Haarlem Royalty Free Stock Photo
Stolperstein Memorial Stone From Cornelis Jacobus Wansbeek Amsterdam The Netherlands 19-9-2025 Royalty Free Stock Photo
The Company of captain Dirck Jacopsz Rosecrans en lieutenant Pauw, painting by Cornelis Ketel Royalty Free Stock Photo
Statue of Johan and Cornelis de Witt in Dordrecht Royalty Free Stock Photo
Monument Johan and Cornelis de Witt in Dordrecht Royalty Free Stock Photo
Portrait of Cornelis van der Geest by Anthony van Dyck at the National Gallery in London England
Statue of Cornelis Lely Royalty Free Stock Photo
World-famous Herman Boerhaave, portrait by Dutch painter Cornelis Troost Royalty Free Stock Photo
Novae Guineae Forma and Situs by Cornelis de Jode, 1593 Royalty Free Stock Photo
Work by Maurits Cornelis Escher exhibited at a temporay exhibition at the Museum of Modern Art in Naples - Madre Royalty Free Stock Photo
The Coronation of Mary, painting by Cornelis Schut Royalty Free Stock Photo
The old church of Delft by Cornelis de Man Royalty Free Stock Photo
He artists studio in Warmond, 1910, painting by Cornelis Vreedenburgh  Royalty Free Stock Photo
Portrait of Cornelis van der Geest by Anthony van Dyck. Cornelis van der Geest was one of the most prominent art collectors of his day, so this commission must have been extremely important to Anthony van Dyck, who was only 21 at the time. He has taken a relatively conservative approach, using a traditional format: a close up of just the sitter’s face, framed by a white ruff. But his brushwork is virtuosic. The painting was later extended, almost certainly not by van Dyck, to bust length, and showed part of the sitter’s hand. The large frame now covers the additions.


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