cathedral saints vitus view from petrin tower

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Cathedral of Saints Vitus, view from Petrin Tower Royalty Free Stock Photo
Aerial view of e of Prague Castle and Metropolitan Cathedral of Saints Vitus, Czech Royalty Free Stock Photo
Aerial close up view of Metropolitan Cathedral of Saints Vitus, Czech Royalty Free Stock Photo
Aerial view of e of Prague Castle and Metropolitan Cathedral of Saints Vitus with historic buildings of Mala Strana Royalty Free Stock Photo
Cathedral of Saints Vitus, Prague Royalty Free Stock Photo
View of Prague Castle from park under The Petrin Hill Royalty Free Stock Photo
View of Prague Castle from park under The Petrin Hill Royalty Free Stock Photo
Cathedral of Saints Vitus, view from Petrin Tower
View of St. Vitus Cathedral and the Prague Castle. Royalty Free Stock Photo
Lateral View of the St. Vitus Cathedral and the Third Court Yard of the Prague Castle. Royalty Free Stock Photo
Prag - Breathtaking panoramic view of St. Veits Dom and Prague Castle Prazsky hrad Royalty Free Stock Photo
Prag - Breathtaking panoramic view of St. Veits Dom and Prague Castle Prazsky hrad Royalty Free Stock Photo
St. Vitus Cathedral Royalty Free Stock Photo
St. Vitus Cathedral - detail Royalty Free Stock Photo
St. Vitus Cathedral -mural detail Royalty Free Stock Photo
A view from big distance showing how high the building really is in comparison with other buildings. Photo taken from Petrin Tower. The present-day Gothic Cathedral was founded on 21 November 1344, when the Prague bishopric was raised to an archbishopric. The foundation stone for the new building was laid by King John of Bohemia. Its patrons were the chapter of cathedral (led by a Dean), the Archbishop Arnost of Pardubice, and, above all, Charles IV, King of Bohemia and a soon-to-be Holy Roman Emperor, who intended the new cathedral to be a coronation church, family crypt, treasury for the most precious relics of the kingdom, and the last resting place pilgrimage site of patron saint Wenceslaus. The first master builder was a Frenchman Matthias of Arras, summoned from the papal palace in Avignon. Matthias designed the overall layout of the building as, basically, an import of French Gothic: a triple-naved basilica with flying buttresses, short transept, five-bayed choir and decagon apse with ambulatory and radiating chapels. However, he lived to build only the easternmost parts of the choir: the arcades and the ambulatory. The slender verticality of Late French Gothic and clear, almost rigid respect of proportions distinguish his work today.


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