surb astvatsatsin church noravank complex armenia

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Tourists walking near Surb Astvatsatsin church at Noravank monastery Complex, Armenia Royalty Free Stock Photo
Sunlight Shining Through the Gorgeous Ceiling of Surb Astvatsatsin Church, Noravank Monastery Complex, Armenia Royalty Free Stock Photo
Medieval Stone Column with Carving inside the Surb Astvatsatsin Church`s Upper Floor at Noravank Monastery, Armenia Royalty Free Stock Photo
Interior of the Upper Floor of Surb Astvatsatsin Church at Noravank Monastery Complex, Armenia Royalty Free Stock Photo
Church of the Mother of God (Surb Astvatsatsin) part of Noravank monastery complex in the mountains in Armenia Royalty Free Stock Photo
Monastery complex Noravank, the Church of the Holy Virgin Surb Royalty Free Stock Photo
Stunning Medieval Tympanum of the First Floor Entrance at the West Facade of Surb Astvatsatsin Church in Noravank Monastery Royalty Free Stock Photo
Surb Astvatsatsin Church of Noravank complex in Armenia
Church of the Mother of God (Surb Astvatsatsin) part of Noravank monastery complex in the mountains in Armenia Royalty Free Stock Photo
Surb Astvatsatsin Church of Noravank Monastery in Armenia Royalty Free Stock Photo
Stunning Medieval Tympanum of the First Floor Entrance at the West Facade of Surb Astvatsatsin Church in Noravank Monastery Royalty Free Stock Photo
Surb Astvatsatsin Church and Surb Karapet Church with Surb Grigor Chapel at Noravank Monastery Royalty Free Stock Photo
Surb Astvatsatsin Church of Noravank complex in Vayots Dzor Province, Armenia Royalty Free Stock Photo
Church of Holy Mother of God or Surb Astvatsatsin in Noravank Monastery Complex among the Fall Foliage of Vayots Dzor Province Royalty Free Stock Photo
Surb Astvatsatsin Church of Noravank Monastery in Armenia Royalty Free Stock Photo
The entrance tympanums are decorated with bas-reliefs showing, on the lower tympanium, the Holy Virgin with the Child and Archangels Gabriel and Michael at her sides, and, on the upper tympanium, a half-length representation of Christ and figures of the Apostles Peter and Paul. As distinct from the reliefs of Noravank`s vestry, these ones are carved on a plain surface, which gives them greater independence. The figures are distinguished by their plasticity of form, softness of modeling, and accentuation of certain details of clothing.


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