palazzo venezia today national museum the rome italy

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Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Palazzo Venezia today National Museum of the Palazzo Venezia Rome, Italy Royalty Free Stock Photo
Death of the Virgin by Michael Wohlgemuth in the National Museum of the Palazzo Venezia Rome, Italy. The painting by the master of Albrecht Dürer dates from the late 15th or beginning of the 16th century. Housed in the building of Palazzo Venezia the National Museum contains galleries of art, predominantly pottery, tapestry, statuary from the early Christian era up to early Renaissance.Palazzo Venezia is located just north of the Capitoline Hill. In 1469 owned by Cardinal Pietro Barbo, nephew of Pope Eugenius IV and the future Pope Paul II it became a residential papal palace, having undergone a massive extension. The pope commissioned perhaps Alberti or Giuliano da Maiano to enlarge his palace in 1455, by incorporating into it the adjacent 9th-century basilica of San Marco. The building manifests some of the first Renaissance architectural features in Rome.


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