the museum carlo bilotti for contemporary art rome italy

navigate by keyword : 1951 abstract almost appears architecture are art artist bilotti borghese carlo composition contemporary culture divisionism europe exhibition exposition figurative gallery geometric gino hall illustration italian italy landmark located lost modern museum orangery outlines paint painting right rome severini side sorrowful statue stratigraphic structure studio style summer today two view villa whose woman

The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Museum Carlo Bilotti for contemporary art in Rome, Italy
The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Museum Carlo Bilotti for contemporary art in Rome, Italy Royalty Free Stock Photo
The Summer by Gino Severini in the Orangery of Villa Borghese today the Museum Carlo Bilotti for contemporary art in Rome, Italy. Located on the right side of hall two in the painting from 1951 the summer, appears as a sorrowful woman whose outlines are lost in the geometric and almost abstract structure of the composition. The Italian Artist s stratigraphic figurative style, the divisionism of the Roman years, cubism, which is here enriched with futuristic dynamism, at the base of his paintings in the 1910s, re-emerge in the elegant synthesis of this female figure


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